The Darkness Celebrates two decades of rock glory with their album Permission To Land, in Spectacular Fashion. On Thursday night, I had the privilege of attending The Darkness, ‘20 Years of Permission To Land’ live in concert at the newly transformed Bristol Beacon, and it was an absolute triumph that showcased the enduring power and brilliance of this iconic British rock band.
Bad Nerves provided support and whilst having a short set, this young band thoroughly warmed up the crowd. Effortlessly punk and genuinely flawless. They played to the sold out show with such ease and after playing their new single U.S.A, the audience were dancing and singing along to the catchy hook, this Essex band really were a great choice for opening the show.
As the lights dimmed and the anticipation reached a fever pitch, The Darkness took the stage with a thunderous roar from the crowd. From the opening chords of “Black Shuck,” it was clear that this would be a night to remember. The band, whose energy and charisma are as potent as ever, delved into their debut album, “Permission To Land,” track by track, unleashing a tidal wave of nostalgia for fans following them since the early 2000s.
Frontman Justin Hawkins, still a master of showmanship, commanded the stage with a magnetic presence and a fabulous catsuit. His vocal range remains as impressive as ever, effortlessly hitting the high notes that defined the band’s signature sound. Justin’s interaction with the audience was both endearing and humorous, creating a sense of camaraderie that permeated the venue. The entire band, including guitarist Dan Hawkins, bassist Frankie Poullain, and drummer Rufus Taylor, played with such musical solidarity that comes from years of playing together. The instrumental performances were tight, and the musicianship was nothing short of stellar.
The setlist was a journey through time, with every track from “Permission To Land,” performed with precision and passion. Hits like, “I Believe in a Thing Called Love,” “Growing on Me,” and “Love Is Only a Feeling” were met with uproarious cheers and enthusiastic sing-alongs. The band also sprinkled in some surprises, including “Street Spirit,” a Radiohead cover and in true Christmas spirit, “Christmas Time” had everyone feeling well and truly festive. The production values were top-notch, with a dazzling light show, dynamic stage effects, and a backdrop that showcased the iconic album artwork that we all remember and love.
As the concert reached its climax, The Darkness closed the night with an encore that left the audience begging for more. It was a celebration of two decades of musical excellence, and The Darkness proved that their debut album remains a timeless masterpiece that continues to captivate audiences. In conclusion, 20 Years of Permission To Land was a triumphant celebration of The Darkness’ enduring legacy. For long-time fans and those experiencing the magic for the first time, this concert was a testament to the band’s ability to deliver a rock show that is equal parts exhilarating and nostalgic. Here’s to another 20 years of The Darkness, a band that continues to shine brightly in the rock music landscape.
📷📝 – Cheyenne Jayne-Manning / @scramsistermedia
Cheyenne Jayne-Manning @scramsistermedia
Role: Photographer
I’m a professional photographer, and I love to shoot festivals, events, and gig-goers. I’m also an editor, specialising in music videos.
Qualification: BA (hons) in Documentary Film Making from the University of Newport.
Available for: Gig Shoots, Photo Shoots, Album and Single cover shoots and Touring
First attended gig: One of the first gigs I ever went to on my own was Chase & Status in 2008. My mates and I covered ourselves in glow paint, only to sweat it off jumping and dancing. It was the start of my never-ending gig list.
First gig shot: Technically the first band I ever shot would have been my dad’s, at the age of 9! My mum gave me this giant tape camcorder and I filmed the entire thing. Since then, I’ve shot plenty of friends’ bands whilst co-managing the live music venue, Le Pub in Newport, and I haven’t stopped since.
Dream gig: CASisDEAD, Slow Club, Enter Shikari, Dizzee Rascal (in the Boy In The Corner era), Turnstile, and The Prodigy.
