Review – Kings of Leon at Ashton Gate: A Night to Remember, 23rd June

Kings of Leon’s return to Bristol was nothing short of spectacular, proving that the wait was undeniably worth it. The Tennessee rockers delivered a performance that transcended mere music, embodying a revival that highlighted their enduring power and universal appeal. “Somebody told me it’s been 21 years since we were last here,” Caleb Followill told the electrified crowd, promising not to let so much time pass before their next visit.

Since their last Bristol gig in 2003, Kings of Leon has released eight albums, and their current tour, ‘Can We Please Have Fun,’ masterfully blends their new material with beloved hits. The evening’s magic lay in its simplicity—no extravagant pyrotechnics or confetti cannons, just raw, unfiltered rock. Digital screens and handheld cameras brought the audience closer to the action, enhancing the intimacy of the experience.

From the outset, the band had the crowd in a trance. Early in the two-hour set, heavy hitters like “On Call,” “The Bucket,” and “Revelry” had the audience roaring the lyrics back at the stage, creating a euphoric exchange of energy. The show opened with “Ballerina Radio” from their latest album, a track that delicately unfolded into an anthemic chorus, setting the tone for the evening. Lyrics flashed on the screens, inviting the entire stadium to sing along, transforming the massive venue into a unified chorus.

The night was punctuated by moments of pure connection. By the time “Revelry” played, the Followill brothers exchanged satisfied smiles as the crowd’s voices soared. The spectacle reached a fever pitch with the early appearance of “Sex on Fire,” a track that turned the stadium into a sea of raised arms and exuberant voices, all without needing the on-screen lyrics.

Interspersed among the high-octane anthems were serene, intimate moments. Caleb’s solo performances of ballads like “Milk” hushed the crowd to a reverent whisper, preserving the purity of his vocals. Each song underscored the band’s prowess, reminding everyone why Kings of Leon have remained at the pinnacle of rock for over two decades.

With each note meticulously executed and the energy never waning, the band’s seamless flow from one hit to another left the audience in awe. Standout performances of “Molly’s Chambers,” “Nowhere to Run,” “The Bandit,” and “Split Screen” were crowned by a stirring rendition of “Use Somebody” to close the night.

But what made this concert truly unforgettable was the band’s ability to weave their past with their present seamlessly. The new tracks from their latest album, while fresh, carried the same raw intensity and emotional depth that first captured fans’ hearts two decades ago. Songs like “Ballerina Radio” and “Stormy Weather” showcased the band’s evolution while staying true to their roots, resonating deeply with both long-time fans and newcomers.

The staging was a marvel of modern concert production. The digital screens provided close-up views of the band, making even those in the farthest seats feel intimately connected to the performance. The visual storytelling on the screens complemented the music perfectly, enhancing the emotional impact of each song. Handheld cameras roamed the stage, capturing candid moments and giving the audience a behind-the-scenes glimpse into the band’s dynamic.

The sound quality was impeccable, every note crisp and clear, allowing the full spectrum of the band’s musical talents to shine. From Jared Followill’s thundering bass lines to Nathan Followill’s precise drumming and Matthew Followill’s soaring guitar solos, the technical prowess of Kings of Leon was on full display.

As the night drew to a close with “Use Somebody,” the crowd’s energy surged one last time, creating a collective experience that was both cathartic and celebratory. The song, a timeless anthem, served as a perfect bookend to a night filled with unforgettable moments.

Kings of Leon’s return to Ashton Gate was a masterclass in rock performance, blending nostalgia with their ever-evolving sound. The staging, sound quality, and setlist were immaculate, leaving fans hoping that the wait for their next Bristol appearance won’t stretch another two decades. As the crowd slowly dispersed, there was a palpable sense of having witnessed something truly special, a night where music, memories, and a shared love for one of rock’s greatest bands converged in perfect harmony.

Images: Rogan/Ashton Gate

Adie White

@thebristolnomad / @bristolnomad_gigphotography
Role: Photographer / Reviewer / Interviewer

Chief, the one that bugs the team for team for their reviews and images. Creator and founder of The Bristol Gig Guide. Can usually be found swamped in admin or getting cramp kneeling at the front of a gig.

Available for: Gig Shoots, Gig Reviews, Photo Shoots, Album and Single cover shoots, Videography work, Interviews and Touring

First attended gig: Republica, circa 1996.

First gig shot: Hands Off Gretel, at The Louisiana!

Dream gig: Huge metalhead and my ultimate dream gig would be shooting my heroes Slipknot at a huge stadium gig, or as festival headliners. And to experience shooting a headline tour outside the UK

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