Witnessing DYE’s first-ever live performance at a packed Louisiana felt like a moment destined to be etched in local music history—a “where were you when” experience for the fortunate few in attendance.
For over five years, we’ve covered the vibrant Bristol music scene, but rarely have we encountered a debut as breathtakingly accomplished as this. DYE emerges as a band that seems to have spent years perfecting their craft in secrecy, refining every detail of their sound before unleashing it upon an unsuspecting audience. Their debut performance was a masterclass in precision, passion, and raw power, leaving an indelible impression and a ravenous appetite for more.
The quintet—Amy Lewis (vocals), Tom Fish (guitar), Oscar Liddiard (guitar), Joe Pavey (bass), and Kieran Toft (drums)—took the stage like seasoned professionals, exuding an intensity that belied their newness. The Louisiana, a launchpad for countless rock icons, seemed to ignite something primal within them. Any pre-show nerves Amy may have felt were obliterated the moment she opened her mouth, her voice a feral roar that demanded attention.
Offstage, the band is known for their warm, affable demeanor, but onstage, they morphed into something far more ferocious. This wasn’t just a performance—it was an exorcism, an outpouring of bottled-up fury and emotion. DYE’s music hit with the force of a sandstorm, a relentless assault on the senses that captivated the audience from start to finish.
Their six-song set, anchored by their debut single “Rat,” showcased a band unafraid to push boundaries. The sound is a labyrinth of layered influences: Korn-inspired, bone-rattling riffs intertwined with vocals that oscillate between unbridled metal aggression and the searing intensity of feminist punk. The juxtaposition of heavy, visceral instrumentation and rebellious, razor-sharp vocals felt both modern and timeless—a sonic experience that commands attention and demands analysis.
Tracks like “Tyrant” and “Herd” hinted at a bold future for the band, their intricate arrangements and relentless energy leaving no doubt that DYE is here to make waves. This was not a band content to merely dip their toes into the industry; this was a declaration of intent.
In an era where many acts struggle to distinguish themselves, DYE has arrived with a bang. Their debut wasn’t just a performance; it was a manifesto—a promise that they are not here to tread water but to make a tidal wave.
The music world, consider yourself warned.
@thebristolnomad / @bristolnomad_gigphotography
Role: Photographer / Reviewer / Interviewer
Chief, the one that bugs the team for team for their reviews and images. Creator and founder of The Bristol Gig Guide. Can usually be found swamped in admin or getting cramp kneeling at the front of a gig.
Available for: Gig Shoots, Gig Reviews, Photo Shoots, Album and Single cover shoots, Videography work, Interviews and Touring
First attended gig: Republica, circa 1996.
First gig shot: Hands Off Gretel, at The Louisiana!
Dream gig: Huge metalhead and my ultimate dream gig would be shooting my heroes Slipknot at a huge stadium gig, or as festival headliners. And to experience shooting a headline tour outside the UK
