Following a blistering performance from Gürl that left the O2 Academy buzzing for more, Call Me Amour took to the stage with a mix of confidence and charisma that was impossible to ignore. Frontman Harry Radford, known for his energetic performances with the Glasgow band Yashin—a group that still sparks vivid memories of my teenage years—transformed the venue into his personal playground. They kicked off the night with the electrifying “Happy Hell,” immediately captivating the audience. The centerpiece of the stage was a glowing neon blue heart, its surreal glow bathing the room in an ethereal light, while vivid red and blue lighting danced around the space, amplifying the moody, high-energy vibe that characterized their performance.
During their concise yet impactful seven-song set, Radford truly embraced his role as a showman. He leapt into the crowd more than he remained on stage, climbing over barriers, interacting with fans, and immersing himself in the collective energy of the audience. This dynamic approach created an atmosphere that felt both intimate and rebellious, with every interaction further binding him to the crowd. Yet, amidst his exuberance, there was an undeniable synergy among him, his bandmates, and the unique sound they have meticulously crafted together.
Call Me Amour’s music possesses a cinematic quality, characterized by soaring instrumental builds that gracefully crash into powerful breakdowns. Layers of electronic elements are intricately woven through their harder rock foundation, adding depth and texture without overpowering the raw grit that defines their core sound. This almost anthemic quality resonates deeply, leaving listeners yearning for more as the night unfolds. Each song becomes an invitation to lose oneself in the moment, making it clear that Call Me Amour is not just a band; they are an experience waiting to be embraced.
Words: Phoebe Messenger , Images: Adie White
Role: Reviewer
Outside of my day job, I’m a regular gig-goer and have always enjoyed writing articles to fuel the passion even further, whether that be through reviews for live shows or for full albums.
Available for: Gig reviews, album/single reviews and artist interviews.
First attended gig: The first show I bought a ticket to myself was 30 Seconds To Mars supported by Enter Shikari at the Brighton Centre.
First gig reviewed: The first gig I reviewed was a showcase of underground DIY rock acts dubbed ‘Deprestlemania’ at The Victoria in Dalston.
Dream gig: There are too many to choose from. It would have to be either Def Leppard, Pearl Jam playing every song from Ten, or Deftones (preferably playing their entire discography). Or even better, all three!
@thebristolnomad / @bristolnomad_gigphotography
Role: Photographer / Reviewer / Interviewer
Chief, the one that bugs the team for team for their reviews and images. Creator and founder of The Bristol Gig Guide. Can usually be found swamped in admin or getting cramp kneeling at the front of a gig.
Available for: Gig Shoots, Gig Reviews, Photo Shoots, Album and Single cover shoots, Videography work, Interviews and Touring
First attended gig: Republica, circa 1996.
First gig shot: Hands Off Gretel, at The Louisiana!
Dream gig: Huge metalhead and my ultimate dream gig would be shooting my heroes Slipknot at a huge stadium gig, or as festival headliners. And to experience shooting a headline tour outside the UK