After two cracking support sets from Gürl and Call Me Amor, the excitement for headliners Mallory Knox at the O2 Academy was palpable. Despite it being a dreary Tuesday evening in October, the energy inside the venue buzzed with anticipation as the band hit the stage for the second time on their UK tour, celebrating a decade since the release of their Asymmetry album, which was announced following a reunion set at Slam Dunk Festival earlier in the year.
Frontman Mikey Chapman took to the stage with an air of genuine appreciation from the outset, reflecting on Mallory Knox’s journey over the past 10 years since the album’s release. He encouraged the audience to reflect on their own journeys during this time. His gratitude for the fans, from those who had been with them from the beginning to those in the crowd that night, was evident in every word. Notably, the diverse age range in the audience underscored the band’s continued ability to attract new fans while keeping longtime supporters engaged.
The set opened with the instantly recognisable riff of “Ghost in the Mirror,” immediately showcasing the unshaken synergy between Chapman’s lead vocals and bassist Sam Douglas’ backing harmonies. This connection remained intact throughout the set, which continued with “Getaway” and “Dying to Survive,” the next two consecutive tracks from Asymmetry. Following these, the crowd was treated to a diverse selection of songs, not just from the decade-old record, but also including fan-favourites like “Sugar,” “Beggars,” and “Death Rattle.” The harmonious interplay among the musicians defined the performance, with guitarists James Gillett and Joe Savins delivering precise, intense riffs, while Dave Rawlings’ powerful drumming propelled each track forward.
As the band briefly left the stage toward the end of the night, the audience’s cheers demanded one final song. Instead, they were treated to three in an encore that felt like a celebration of everything Mallory Knox has accomplished over the years. The lyrically captivating “She Took Him to the Lake” and “Better Off Without You” led into the closing anthem, “Lighthouse.” The song echoed through the venue as the crowd joined in for a final singalong, ending the night on a perfect note.
Mallory Knox may have been reflecting on their past, but their performance showed they still have plenty left to give for the future. It was a triumphant end to a memorable night, celebrating not just their decade-long career but also their enduring connection with a loyal audience. Without a doubt, we hope Mallory Knox will stick around for many more years to come.
Words: Phoebe Messenger, Images: Adie White
Role: Reviewer
Outside of my day job, I’m a regular gig-goer and have always enjoyed writing articles to fuel the passion even further, whether that be through reviews for live shows or for full albums.
Available for: Gig reviews, album/single reviews and artist interviews.
First attended gig: The first show I bought a ticket to myself was 30 Seconds To Mars supported by Enter Shikari at the Brighton Centre.
First gig reviewed: The first gig I reviewed was a showcase of underground DIY rock acts dubbed ‘Deprestlemania’ at The Victoria in Dalston.
Dream gig: There are too many to choose from. It would have to be either Def Leppard, Pearl Jam playing every song from Ten, or Deftones (preferably playing their entire discography). Or even better, all three!
@thebristolnomad / @bristolnomad_gigphotography
Role: Photographer / Reviewer / Interviewer
Chief, the one that bugs the team for team for their reviews and images. Creator and founder of The Bristol Gig Guide. Can usually be found swamped in admin or getting cramp kneeling at the front of a gig.
Available for: Gig Shoots, Gig Reviews, Photo Shoots, Album and Single cover shoots, Videography work, Interviews and Touring
First attended gig: Republica, circa 1996.
First gig shot: Hands Off Gretel, at The Louisiana!
Dream gig: Huge metalhead and my ultimate dream gig would be shooting my heroes Slipknot at a huge stadium gig, or as festival headliners. And to experience shooting a headline tour outside the UK